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張才生。CHEUNG Choi Sang, Samson
samson0921@gmail.com
www.cheungchoisang.com

 

出生及於香港居住,大學主修工商管理。2008 年接觸攝影,其間參與多個由光影作坊主辦之紀實攝影工作坊,籌辦展覽及展出。2012 年獲得香港專業進修學院攝影深造文憑,他的攝影和聲音作品曾於香港奧沙畫廊 Pop Up Market 2013 中展出。現職於光影作坊推廣社區攝影活動。除開展個人創作外,也參與香港油街藝術空間為期兩年的藝術計劃「一百之後」,作品將於 2015 年展出。

 

Born and live in Hong Kong, Cheung Choi Sang Samson graduated with Bachelor of Arts in Business Administration in UK. His training in photography started with varies of documentary photography workshops organized by Lumenvisum and works shown at exhibition by Lumenvisum which also involved in organization. In 2012, he gained a Postgraduate Diploma in Photography from HKU SPACE. His photography and sound work were selected to show at Osage Hong Kong Pop Up Market 2013. Recently he is working in Lumenvisum, organization promoting community photography. Apart from his exploration of personal artwork, he is engaging in a two-year art project “After One Hundred” and the artwork will be shown at Hong Kong Oil Street Artspace in 2015.

Kwong Chun Yeung Jason
《歸寧》
 

尋找自然與非自然的過程中,在觸動情緒的一刻記錄景象,及後透過影像記錄觀察物質的存在。我一向深信世上每樣個體都蘊含它的存在意義,像兒時玩積木般把它們組合,變成另一個整體,卻又會分解並再重組。但無論怎樣變化,總需要某種特定的組件才能砌成一架車。如柏拉圖認為萬物總有它們永恆的「模子」或「形式」。

 

我嘗試觀察物件的變化,利用攝影把各種「形式」組合在一張相片內。然而我無法理解及形容這個新組合。最終還是以對各種「形式」的認知去分析眼下的影像。

Back to zero
 

During my exploration between the natural and unnatural, I recorded scenes at emotional moment, observed the existence of matter through the images recorded. I believe there must be a meaning of existence to all matters in the world. It brings back my memory of playing lego, when I assembled individual bricks to form a new one, disintegrated and restructured it. However, as Plato believed that everything has a timeless “mold” or “form”. I need certain parts or bricks to form a car no matter how flexible the bricks are.

 

I try to focus on observing change of forms; different forms assembled in an image through photography, but I cannot understand and describe these new formations. In the end, at last, I analyze my images by the acknowledgement of each form.

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